Reason is easy to get started with, yet as deep as you want it to be. Create, compose, mix and finish your music–Reason will help you along the journey, from inspiration to mixdown. There are 20 presets for each of the following synths: Bazille, Diva. This combo is capable of cranking out in between 2. Also thanks to the high end design, we were able to improve the overall system response time (sometimes referred to as latency) which makes the Virus TI Series even snappier, especially for live musicians. Hyper. Saw oscillators Hyper. Saw is a multi- sawtooth oscillator. With a single parameter the user can alter the amount of parallel oscillators from 1- 9, smoothly and in realtime. You can literally add more oscillators to fatten up the sound whilst playing a chord. The relative tuning and spread can be controlled as well. Using the highly efficient Hyper. Saw engine with 9 parallel oscillators per voice (each with it’s own parallel sub oscillator) the Virus TI series can calculate over 1. Programmable Arpeggiator The Virus TI features a user- programmable arpeggiator. Every single Virus TI patch can store it’s own arpeggiator pattern. You can build new patterns from scratch or use one of the 6. Pure. Semitones. Pure. Semitones tunes the oscillator’s semitone knob to pure intervals. The technology, derived from Access’ Pure. Tuning, tunes the intervals of the semitone parameter to the nearest harmonic and therefore combines a linear scale with intervals which are perfectly in tune. Sync sounds especially benefit from Pure. Semitones. Delay and reverb per part Each of the 1. Graintable oscillators The Graintable oscillators applies techniques as those used in granular sampling and pitch- shifting algorithms to synthesizer Wavetables. It opens up a whole exciting world of new possibilities. Imagine bending any Wavetable far beyond what is sonically possible with common Wavetable synthesizers. It all happens in realtime and of course all parameters can be modulated in realtime as well. The formant- based oscillators work in a similar fashion, only with one crucial difference: the formants remain fixed as you play. This effectively turns the oscillator into a filterbank on steroids comprising up to 2. Wavetable index. Multi Mode Multi Mode doesn’t just reference every patch in each of the 1. There is no longer any need to be cautious of editing single sounds that might be used by multi mode patches. Sounds can be tweaked and tailored to build stacks or to compliment each other without the risk of overwriting a patch which may be used in another song or Multi Mode preset. The second new mode is the Sequencer Mode, which replaces the Multi/Single mode from the Virus A- B- C series. In contrast to the new Multi Mode, it references the patches in single mode, so you could say that it makes the Virus TI Series feel like a synthesizer with 1. Wavetable oscillators. In addition to the award winning Virus oscillators the Virus TI series introduces Wavetable oscillators. These sophisticated new oscillators put a completely new array of sounds at your disposal. From gritty, screaming, somewhat Lo. Fi sounding textures to silky- smooth wave cascades - the sky is the limit. Now imagine processing the Wave. The production team at ADSR have taken on music theory duties in their latest release, Melodic Chords & Arps – Cthulhu Presets. Featuring a legendary set of presets specifically designed to take the struggle out of coming up. The new Virus is one of the most affordable ever and currently the cheapest way to get a slice of Access' Total Integration technology — but does cheaper mean compromised? Table with Access’ self- resonating Mini. Moog. A mixture between Virus oscillators and Wave. Table oscillators is also possible. The Virus also allows PWM- style modulation and the degree of interpolation between the individual waves can be altered. As a result a Wavetable can morph from smooth to coarse to stepped (which makes it sound similar to a wave sequence). It\'s like turning a nice ambient patch into a dark, gritty sonic monster by only changing one continuously variable parameter. Section Locking A new technology enabling the TI to lock specific aspects of a sound from changing. For instance locking everything but the arpeggiator. Now when browsing through the library the sound character will remain unchanged, but the arpeggiator pattern will alter depending on the settings of the selected new patch. Forget about random patch generators. This is so much more fun. It\'s practically like having a completely new and intuitive sound design tool to your disposal. All you need to do is to choose what you dislike about a patch and find something better within the huge TI library which counts thousands of onboard patches. Amen Breaks vol.1 Famous amen breaks. Amen breaks vol.2 40 amen breaks in wav and rex2 formats. The Temple of the Breaks 75 drumfunk loops in 170-182 BPM; Uptempo Vinylistic Breaks “Uptempo Vinylistic Breaks” by Rhythm Lab. Hello, sign up to get access to My ADSR. You can add products to a wishlist, save your favourite tutorials and we'll even give you regular discounts and exclusive content! In 2009 the Virus TI2 Desktop, Keyboard and Polar revisions were released, featuring 25% faster DSP processing, a lighter, redesigned enclosure, new effects including Tape Delay, Frequency Shifter, new. Access Virus Soundsets download and order now. Access Virus Soundsets, Access Virus Patches, Access Virus Banks. Modulation Matrix. Mod Matrix is comprised of 6 slots; each with one source and three destinations.
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December 2016
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